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    <lastmod>2023-11-08</lastmod>
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      <image:title>Paintings - Whelk</image:title>
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      <image:title>Paintings - Whelk</image:title>
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      <image:title>Paintings - Down together</image:title>
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      <image:title>Paintings - Soul Cycle</image:title>
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      <image:title>Paintings - Exposure</image:title>
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      <image:title>Paintings - Feed my brain birds</image:title>
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      <image:title>Paintings - Bread</image:title>
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      <image:title>Paintings - Self portrait as bed</image:title>
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      <image:title>Paintings - Mountain like you said to be</image:title>
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      <image:title>Paintings - Selena Gomez</image:title>
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      <image:title>Paintings - Winner, winner</image:title>
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      <image:title>Paintings - Pint-sized Hero</image:title>
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      <image:title>Paintings - How can you speak if you have no mouth</image:title>
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      <image:title>Paintings - The Minotaur</image:title>
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      <image:title>Paintings - Digitalis</image:title>
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      <image:title>Paintings - Storm Mother</image:title>
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      <image:title>Paintings - Cautionary Tail</image:title>
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      <image:title>Paintings - Ringworm</image:title>
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      <image:title>Paintings - Stung on the run</image:title>
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      <image:title>Paintings - Nepa</image:title>
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      <image:title>Paintings - Burn Mask</image:title>
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      <image:title>Paintings - Disparagus</image:title>
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      <image:title>Paintings - Nepa II</image:title>
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      <image:title>Paintings - Front Line Armory</image:title>
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      <image:title>Paintings - Levi</image:title>
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      <image:title>Paintings - Bull Baiting</image:title>
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      <image:title>Paintings - Snitches get stitches</image:title>
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      <image:title>Paintings - Stargate</image:title>
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      <image:title>Paintings - Home Warmer</image:title>
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      <image:title>Paintings - 3 Gates</image:title>
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      <image:title>Paintings - Crocs</image:title>
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  <url>
    <loc>https://emilyjanowick.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
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      <image:title>WORK</image:title>
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    <image:image>
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      <image:title>WORK</image:title>
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    <image:image>
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      <image:title>WORK</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1532556550922-7KPW4ZN3UGHHKQKF1ZP6/monument.jpg</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Monuments, 2018 Sculpture + video installation</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1568507425022-8S950QKKNY9FKJ6ED8VC/image-asset.jpeg</image:loc>
      <image:title>WORK - Giacometti</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1569021193294-QS8F1AYDGZ4SKY0Y0HXO/queen+bee+c.jpg</image:loc>
      <image:title>WORK</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1568504989699-2MBNOZFZK33LO4PG5BBR/IMG-8283.JPG</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Pills To Swallow, 2019 Edible drawings made for PAD Gallery, NYC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1566840879010-ZPMWFJJLYU57UI8H0203/SAM_1597.JPG</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Castaway, Site specific event at the Arlo Hotel in Tribeca, NYC Participants occupied a hotel room across from my studio building where balloons were released from a lower floor and captured from upper floors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1569954604156-XRVI530ZXI7Y5UNSOO8R/boat+-+edited.jpg</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Don’t they know it’s the end of the world Cinder block steps, boat, two simultaneous videos, and vessels of water</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1546471904740-YHWTN3BR9M6WWSNPZALF/_80B4485.JPG</image:loc>
      <image:title>WORK</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1533687198055-ORHH5R44KO346QTW53X6/water4.jpg</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Water 3 Ways Site specific installation in the washing room of Mountain Dell Farm, Hancock, NY Participants were invited to read a waterproof book at the bottom of a tub of cold water.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1534361979101-2FAZOFVO7OOT3J7QTGXY/jenna.jpg</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Wishing Well Site Specific installation with 2 channel video and secret camera with 12 poems. An exploration of emotional hierarchy and soft control. I raised the floor 4 feet and created floral portals for 12 viewers to enter, watching a video of the building they were in from above. Others sat below, watching a livestream of the participants above while present with their torsos and legs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1532472327240-6TWI0PXFI20V7N3BNI2L/1.jpg</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Cat Lady Video + tattoo of Catwoman giving birth An exploration of control, motherhood, and the limits of love.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1532487118583-LAR44K7DM06TAIL3UYE0/IMG_7288.JPG</image:loc>
      <image:title>WORK</image:title>
      <image:caption>It Means That it Means Something Video + Sculpture Bathroom video installation in collaboration with Patrick Mohundro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1656032587773-ES4BHJ8IY6C8WXP1KQT2/Metamorphose.jpg</image:loc>
      <image:title>WORK</image:title>
      <image:caption>Breach Ongoing collaboration with Sam Cockrell We have been building and installing compact nesting boxes in which New York’s suffering bat population can birth and raise their young. The text on the nests comes from an ever-expanding poem that I am writing; a spell to the landscape and the bats it inhabits. If you have a house in New York upon which we can install a box, please email me: Emilyjanowick {at} gmail . com</image:caption>
    </image:image>
    <image:image>
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      <image:title>WORK</image:title>
      <image:caption>Solid State Site specific installation at International Waters, Bushwick NY. I produced a 34 foot model of the Washington Monument that lies on its side. Falling down the sloping floor of the gallery, the obelisk is hollow. Inside the monument, a two-channel video of my father and daughter plays. The videos show them having a conversation about beginnings, middles, and endings. My father sits in a plastic box while my daughter sits in a bathtub. Between them is a small fish tank with two jellyfish inside.</image:caption>
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    <image:image>
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      <image:title>WORK</image:title>
      <image:caption>Time Capsule, 2023 Site specific installation at Bedroom Bathroom Show, Miami, FL Presented by Triangle Projects</image:caption>
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      <image:caption>Wet Blanket, 2024 Solo exhibition, Parent Company, New York, NY dimensional lumber, yellow pine plywood, transducers, 2 channel sound piece From the gallery: Parent Company is pleased to announce Wet Blanket, an exhibition by Emily Janowick, made with the assistance of James Chrzan and Sam Cockrell. In Wet Blanket, Janowick explores communality and connection as it pertains to grief, healing, love, and care. The installation consists of two toppled obelisks crossing one another, forming an X. X is a very apt symbol. X marks the spot in a treasure map. X, like a scar. X as in stitches across a broken landscape. X: a crossing, a meeting, an intersection. One enters the space and is immediately confronted with the scale of these two structures, which fully occupy the room. Inside the tip of each sculpture is a transducer that transforms the plywood into rudimentary speakers, which relay vibrations throughout the gallery. The transducers each play a recording, one made by Janowick and the other by her close friend James Chrzan. The sounds were captured at ten feet of elevation and recorded concurrently while Chrzan was in Malibu, CA, and Janowick was 2,641 miles away in Kure Beach, NC. As is typical in the artist’s sculptural installations, Janowick’s obelisks create both physical and sonic choreographies. The experience of the work changes based on position. Walking through the space will lead to variant, isolated experiences, mimicking the conditions of living in a siloed media landscape. It also reminds us that all experiences are shared, yet singular. We may have a communal purpose, intent, inclinations, or even lives. Still, our perspectives remain, despite it all, uniquely attached to our complex being, an alloy of singularly combined exposures, tastes, and views. Very few contexts will give someone as powerfully humbling a sense of scale as the ocean will. Listening to the rhythmic sound of waves crashing on a shore can bring solace, healing, and perspective. The soothing certitude of an everlasting occurrence is anchoring. In contrast to the ocean, obelisks are man-made monuments, erected structures celebrating victory and conquest. Refusing Western society’s principles and evolution as a positive model, Janowick presents this symbol of hegemony as inherently flawed and failing. This is the third in a series where Janowick has used the obelisk as form. Past iterations allowed literal insight into the shape, whereas the obelisks in Wet Blanket are closed. This exhibition opens just following an election and closes right after an inauguration. The work marks a distinctive spot, asking us to sit with and consider the founding mythologies and iconography of our nation while pushing our awareness toward the actual, physical land we inhabit. In the hollow bodies of a national symbol, we might hear something more profound and beautiful that will outlast us all. -Anne-Laure Lemaitre For more info, click here. Photographs by Olympia Shannon</image:caption>
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      <image:caption>chevron, 2024 Solo exhibition, International Waters, Brooklyn, NY dimensional lumber, 2 videos, 4 channel sound piece, pothos From the gallery: Twin stairways ascend from the floor to the ceiling. Spanning the width of the space, the trajectory of the stairs is countered by a floor which rises in the opposite direction. The stairs and the inclining floor meet in a V; the descension of one is met by the ascension of the other. For the exhibition chevron at International Waters, Emily Janowick articulates space with staircases that form a common icon. Entering from beneath the stairs, Janowick’s architectonic chevrons are first met from below. The steps, without risers, divide the space into columns of horizontal slits. Rising along a predetermined pathway within the body of the stairs, each passage relates its shape to the story exits of an arena vomitorium. Beneath each staircase, a sequence of monitors cast time-lapse videos of animated vines climbing and penetrating the decking of the artist’s backyard in Ridgewood, Queens. The steps, connected to the monitors with cable, are tuned as speakers to broadcast a sound piece that the artist recorded with her daughter, Shiloh Blue. In such a context, the conditions of a communicating environment are emphasized. The guided experience of any landscape is permeated by language. When architecture takes the form of a symbol, the distinction between inside and outside is transgressed. “Because the spatial relationships are made by symbols more than by forms, architecture in this landscape becomes a symbol in space rather than form in space.” Dominating the natural landscape with a semantic order, architecture creates false unities and divisions with its surroundings. Familiar forms like the staircase take on diverse meaning and narrative. The ascension of a flight of stairs can suggest a stairway to heaven; vines that creep through the cracks of a step can relate their movements to an uprising over geometric oppression. Janowick, producing videos from her backyard steps with an iPhone and Makita flashlight, connects her practice directly to her surroundings and to her daughters who recently moved away: “During the last 40 nights that my eldest daughter lived at home before she went to college, I recorded the gourd vines in our backyard growing in the darkness while she slept. Two years later, as my younger daughter prepared to move out, we grew the gourds again, repeating the ritual. I usually have made my work at night, whenever the kids were asleep. Recording these videos was the last moments of knowing when everyone went to bed.” For Janowick, the dance of a growing vine relates its movements to her daughters; the vine grows at a speed that defies observation. In her ritual-practice, Janowick as mother and artist, aligns herself with her home. A mother contains her daughters much like the home contains its inhabitants. The organization of the home transposes itself onto the family. The stairway is an architectural depiction of organized growth. Descending the steps into her backyard, Janowick finds synthesis with a vine that rises in the opposite direction. The descension of one is met by the ascension of the other. For more info, click here. Photographs by Olympia Shannon</image:caption>
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      <image:caption>Second Light, 2023 Site specific sculpture at NADA Foreland, Catskill, NY Presented by International Waters From the gallery: For the second iteration of Emily Janowick’s ritual-sculpture, “Second Light” at NADA Foreland presents images of the sunrise taken from the position of the work. The photos, bound into a vinyl book, are tied to a Delaware Blue Stone, and submerged at the bottom of a water-filled bathtub. Visitors are invited to flip through the pages of the book underwater. For Janowick, the sculpture acts as a performative journey with her daughter to the to-be site of the work. Consecutive sunrises are homogenized by the specific landscape from which they arose over the course of one week. To encounter such a work, the viewer evaluates their own position through multiple moments in time. By viewing this landscape through a crepuscular lens, an enraptured sky acts as a distributed articulation of the mathematical sublime.</image:caption>
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      <image:caption>First Light, 2023 Site specific sculpture at International Objects, Brooklyn, NY From the gallery: Emily Janowick’s sculpture consists of two elements: a reprocessed iron clawfoot bathtub, and a vinyl book of photographs taken at sunrise at the location of the exhibition. Bound to a weight at the bottom of the tub, Janowick invites observers to thumb through the waterproof album at arms length through crystal-clear water. To encounter this simple gesture and the sublime beauty of watching the sunrise at the place where they currently stand, the viewer must face the earth, arched over the cool white enamel of the basin. Through their work, Janowick aims to subtly disrupt the familiar architecture of the space, to create a rift in the familiar rhythm of time, while providing a surprising, delicate moment of pleasure.</image:caption>
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      <image:caption>Water 12 Ways Site-specific sculpture at Hesse Flatow East, Amagansett, NY Participants were invited to swim underwater to an upside down boat. Inside they were presented with a limited air supply and 100 vessels of water.</image:caption>
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      <image:caption>Swan Song, 2022 - Ongoing Garlic, Velvet, 2×4s Dimensions Variable Part of ‘Tyger Tyger, Burning Bright,’ at Kate Werble Gallery, New York Curated by Thalassa Balanis and Kate Werble</image:caption>
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      <image:caption>Fear Not The Harsh Winter Site Specific Installation 205 Hudson Gallery Using a refrigerator door embedded into a wall, I created a passageway into a sealed-off room in the gallery. Metal bowls of different sizes were installed in a raised floor, and I removed the wall between the gallery and the street. Ice sculptures hang from the ceiling on retractable dog leashes. Depending on the weather outside, they swing and shimmy, melt into the bowls below, or refreeze into new stalactite shapes. As they melt, the leashes pull the ice toward the ceiling until it’s gone; on a warm day the work disappears, leaving behind only big bowls of dirty water.</image:caption>
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      <image:caption>Blood Makes the Grass Grow, 2022 Solo exhibition, FOYER-LA, Los Angeles, CA I built a set of stairs that spanned the gallery’s width and height, allowing the viewer to either enter a small partition at the opposite end of the gallery to view the underside of the stairs, where a screen was playing a series of videos, or climb the stairs to the top of the gallery, where five potted Morning Glory vines sat inset on a plywood platform and continued to grow down the stairs through the duration of the exhibition.</image:caption>
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      <image:caption>Obsession, 2025 Solo exhibition, Kate Werble Gallery, New York, NY 55 Buckets of Corn, Soil, Manure, Compost, Plywood, 2 fans</image:caption>
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      <image:caption>An Appeal to Heaven, 2022 Site Specific Collaboration with Sam Cockrell Walter’s, Rockaway Beach, NY Curated by Brent Birnbaum I wanted to be able to see the ocean from the gallery, I wanted to be two places at once. It is a flagpole that is also a periscope.</image:caption>
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      <image:caption>Middle Part, 2023 Walter Elwood Contemporary Museum, Amsterdam, NY Curated by Brent Birnbaum For Middle Part, I divided three rooms in half with stanchions and their belts. Inside the stanchions were a series of 12 field recordings of New York water, made together with my daughter Shiloh Blue. Their quiet sounds drew people inward, both physically and emotionally, while their form created division and inconvenience.</image:caption>
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      <image:caption>Solid State Site specific installation at International Waters, Bushwick NY. I produced a 34 foot model of the Washington Monument that lies on its side. Falling down the sloping floor of the gallery, the obelisk is hollow. Inside the monument, a two-channel video of my father and daughter plays. The videos show them having a conversation about beginnings, middles, and endings. My father sits in a plastic box while my daughter sits in a bathtub. Between them is a small fish tank with two jellyfish inside.</image:caption>
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      <image:caption>Fear Not The Harsh Winter Site Specific Installation 205 Hudson Gallery Using a refrigerator door embedded into a wall, I created a passageway into a sealed-off room in the gallery. Metal bowls of different sizes were installed in a raised floor, and I removed the wall between the gallery and the street. Ice sculptures hang from the ceiling on retractable dog leashes. Depending on the weather outside, they swing and shimmy, melt into the bowls below, or refreeze into new stalactite shapes. As they melt, the leashes pull the ice toward the ceiling until it’s gone; on a warm day the work disappears, leaving behind only big bowls of dirty water.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475887722-5FKFURIRCO77NM244590/mask.jpg</image:loc>
      <image:title>2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475937134-NBSNVGBHP200HBF5QJS7/sg1.jpg</image:loc>
      <image:title>2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475718456-BDRN4O8WN855EJ9MWPJI/knee.jpg</image:loc>
      <image:title>2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475977226-I5KOY74MWRP6940M5T8C/stargate.jpg</image:loc>
      <image:title>2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475858689-YBJ9JQDB4P9LMG2P0IA8/meatball+man2.jpg</image:loc>
      <image:title>2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475949065-VJSA5CP147DD7YA2ORW8/stealth.jpg</image:loc>
      <image:title>2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475761816-7KW8F4PF7IC28C2V897J/mask.jpg</image:loc>
      <image:title>2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475954316-VWP169O7PXDOPCQHI5J6/threshold.jpg</image:loc>
      <image:title>2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475897855-9PDPSD0F0FQWGU7BBMXI/mouth.jpg</image:loc>
      <image:title>2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475986723-Z0P1BW8Q9ZGQRJORS1F5/tresgatos.jpg</image:loc>
      <image:title>2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475728827-UY9B1GDL3JTJPMXCPQ38/meatball+man2.jpg</image:loc>
      <image:title>2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515475982337-75B7ZTBH6Y2N4MHD1XGN/turn+around.jpg</image:loc>
      <image:title>2017</image:title>
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      <image:title>2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a545087e5dd5bd8f2a1fbe6/1515476008256-4QY9S5G4G5Y6V5PQUDWE/vegas+bby.jpg</image:loc>
      <image:title>2017</image:title>
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    <image:image>
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      <image:title>2017</image:title>
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    <image:image>
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      <image:title>2017</image:title>
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    <image:image>
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      <image:title>2017</image:title>
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      <image:title>2017</image:title>
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      <image:title>2016</image:title>
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      <image:title>2016</image:title>
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      <image:title>2016</image:title>
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      <image:title>2016</image:title>
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      <image:title>2016</image:title>
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      <image:title>2016</image:title>
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    <image:image>
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      <image:title>2016</image:title>
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    <image:image>
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      <image:title>2016</image:title>
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    <image:image>
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      <image:title>2016</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blood Makes the Grass Grow Walkthrough - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blood Makes the Grass Grow Walkthrough - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Blood Makes the Grass Grow Walkthrough - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blood Makes the Grass Grow Walkthrough - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blood Makes the Grass Grow Walkthrough - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Blood Makes the Grass Grow Walkthrough - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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